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home·artworks·For Auderghem
For Auderghem by Paul Delvaux

plate no. 3137

For Auderghem

Paul Delvaux, 1923

oilExpressionismcityscapebuildingscityscapebridgetreesskystreet
some experience helpful

This painting provides practice in creating depth using atmospheric perspective and in simplifying complex architectural forms into basic shapes. Students will also learn to create a muted color palette and use visible brushstrokes to add texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, bridge, and landscape, focusing on perspective.

  2. step 02

    Block in the sky with a thin wash of muted pink and gray.

  3. step 03

    Establish the dark values of the bridge and shadows on the buildings using burnt umber and black.

  4. step 04

    Paint the lighter areas of the buildings with a mix of white, yellow ochre, and a touch of burnt sienna.

  5. step 05

    Add details to the buildings, such as windows and roof tiles, using small brushstrokes.

  6. step 06

    Paint the trees and foliage with a mix of greens, browns, and blacks, varying the brushstrokes to create texture.

  7. step 07

    Refine the details of the bridge and add the lamppost.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · black · raw sienna · muted pink

Achieve the muted tones by mixing complementary colors (e.g., a little bit of blue into orange-browns). Use white to lighten values, but avoid pure white for highlights; instead, mix with yellow ochre or a touch of pink.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle variations in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·black oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

A toned canvas (e.g., with a thin wash of burnt umber) can help to establish the overall color mood.

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