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home·artworks·Fontaine Dans Un Jardin De Rome
Fontaine Dans Un Jardin De Rome by Alice Bailly

plate no. 0681

Fontaine Dans Un Jardin De Rome

Alice Bailly, 1934

oilExpressionismcityscapetreesfountaingardenarchitecturecityscapevegetation
some experience helpful

Recreating this painting will help students develop skills in layering paint, creating texture with brushstrokes, and understanding atmospheric perspective through color and value variations. It also encourages simplified representation of complex forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the fountain, trees, and buildings, focusing on proportions and placement.

  2. step 02

    Block in the sky with a light blue, using broad strokes.

  3. step 03

    Establish the base colors for the fountain structures, using a mix of white, blue, and a touch of green.

  4. step 04

    Add darker greens and browns to represent the foliage and trees, varying the shades for depth.

  5. step 05

    Apply thicker layers of white paint to the fountain to create texture and highlight the forms.

  6. step 06

    Introduce subtle variations in color to the fountain, such as hints of blue, green, and gray.

  7. step 07

    Refine the details of the foliage and add small touches of color to represent flowers and other plants.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the colors and values.

color palette

primary · titanium white · cerulean blue · sap green

secondary · burnt umber · cadmium yellow · alizarin crimson

Achieve the fountain's off-white color by mixing titanium white with small amounts of cerulean blue and sap green. Use burnt umber to darken greens and create shadows.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·layering
  • ·impasto

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Using too much pure white, resulting in a flat and lifeless fountain.
  • →Neglecting the subtle color variations in the foliage and fountain.
  • →Creating muddy colors by over-mixing on the palette.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·sap green oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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