apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Flowery branch
Flowery branch by Shitao

plate no. 6673

Flowery branch

Shitao, 1707

oilInk and wash paintingflower paintingbranchesflowersblossomsbotanical
some experience helpful

This painting is a great exercise in controlling the amount of water in your brush and varying your brushstrokes to create different textures and values. It also teaches the importance of negative space in creating a balanced composition.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Prepare your paper by staining it with diluted brown ink or tea to achieve a similar background color.

  2. step 02

    Lightly sketch the basic structure of the branches, focusing on their overall shape and direction.

  3. step 03

    Using a round brush, load it with black ink and begin painting the main branches, varying the pressure to create thick and thin lines.

  4. step 04

    Add smaller branches and twigs, using a drier brush to create a textured effect.

  5. step 05

    Paint the flower petals with a lighter wash of ink, using a soft brush to create delicate shapes.

  6. step 06

    Add details to the flowers, such as the stamens and pistils, using a fine-tipped brush and dark ink.

  7. step 07

    Add the artist's signature and seals if desired.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · black ink · sepia

secondary · white (for mixing)

Vary the dilution of black ink with water to achieve different shades of gray. Use sepia to create a warm, aged background.

techniques

  • ·dry brush
  • ·ink wash
  • ·varying line weight
  • ·negative space
  • ·controlled brushstrokes

common pitfalls

  • →Using too much water, which can cause the ink to bleed and lose its definition.
  • →Overworking the painting, which can result in a muddy and lifeless appearance.
  • →Not varying the line weight, which can make the branches look flat and uninteresting.
  • →Ignoring the importance of negative space, which can make the composition feel crowded.

materials

surface · Rice paper

required

  • ·Chinese calligraphy brush (round)
  • ·Black ink
  • ·Ink stone or palette
  • ·Rice paper or watercolor paper
  • ·Water container
  • ·Felt mat or newspaper
  • ·Paper weights

optional

  • ·Sepia ink
  • ·Seal paste
  • ·Seal carving

Experiment with different types of rice paper to find one that suits your style. Use a soft brush for the flower petals and a stiffer brush for the branches.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The branch of wisteria

The branch of wisteria

Qi Baishi

Untitled

Untitled

Shen Zhou

Yang Guifei Mounting a Horse

Yang Guifei Mounting a Horse

Qian Xuan

A Night Feast Over a Thousand Years

A Night Feast Over a Thousand Years

Wu Guanzhong

Conversation with the mountain

Conversation with the mountain

Shitao

The Melons

The Melons

Shitao

The Source in the hollow of the Rock

The Source in the hollow of the Rock

Shitao

Mists on the mountain

Mists on the mountain

Shitao