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home·artworks·Flight of the Magnolia
Flight of the Magnolia by Paul Nash

plate no. 6102

Flight of the Magnolia

Paul Nash, 1944

oilExpressionismlandscapeflowerskycloudslandscapeleaveshorizon
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and volume, as well as understanding how to depict atmospheric perspective in a landscape. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the flower, leaves, and landscape elements, focusing on proportions and composition.

  2. step 02

    Block in the background sky and horizon with thin washes of color.

  3. step 03

    Establish the main values of the flower petals and leaves, using lighter tones for highlights and darker tones for shadows.

  4. step 04

    Begin layering colors to create depth and dimension in the petals and leaves, paying attention to subtle color variations.

  5. step 05

    Add details to the flower's center and edges of the petals.

  6. step 06

    Refine the landscape elements, adding details to the clouds and horizon line.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive and balanced painting.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · titanium white · yellow ochre · raw umber

secondary · burnt sienna · ultramarine blue · cadmium yellow

Mix white with yellow ochre and a touch of burnt sienna for the flower petals. Use ultramarine blue and burnt sienna to create muted greens for the leaves. Mix white with burnt sienna and a touch of blue for the sky.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of unity.
  • →Using colors that are too saturated and creating a jarring effect.
  • →Failing to establish a clear value structure and creating a flat, lifeless painting.
  • →Not paying attention to the subtle color variations in the petals and leaves.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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