apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fishing Harbour, Belgium, Recto; Sunset, Verso
Fishing Harbour, Belgium, Recto; Sunset, Verso by Maggie Laubser

plate no. 6066

Fishing Harbour, Belgium, Recto; Sunset, Verso

Maggie Laubser, 1922

oilExpressionismcityscapebuildingswaterskycityscapereflectionsharbor
some experience helpful

This painting helps students practice simplifying complex scenes into basic shapes and using color temperature to create depth and atmosphere. Students will also learn to capture reflections in water with simplified brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, water line, and distant mountains.

  2. step 02

    Block in the sky with a base layer of blue, allowing for subtle variations in tone.

  3. step 03

    Establish the dark values of the distant mountains and the shadows on the buildings.

  4. step 04

    Paint the main colors of the buildings, focusing on warm and cool color contrasts.

  5. step 05

    Add the reflections in the water, using broken brushstrokes and slightly desaturated colors.

  6. step 06

    Refine the details of the buildings, such as windows and doors, with simple shapes.

  7. step 07

    Add highlights to the buildings and water to create a sense of light and form.

  8. step 08

    Review and adjust the overall composition, ensuring a balance of values and colors.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · viridian green · cadmium yellow

Mix various shades of blue and purple for the sky and water. Use yellow ochre and burnt umber to create warm browns for the buildings. Add white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·simplified shapes

common pitfalls

  • →Overworking the details
  • →Creating muddy colors by over-mixing
  • →Ignoring the importance of value contrast
  • →Not simplifying the reflections enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor