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home·artworks·Fiori Di Campo
Fiori Di Campo by Filippo De Pisis

plate no. 7768

Fiori Di Campo

Filippo De Pisis, 1953

oilExpressionismflower paintingflowersvaseplantsbutterflystill lifefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in capturing the essence of a subject rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the vase and the overall arrangement of the flowers and foliage.

  2. step 02

    Apply a thin, neutral-toned wash to the canvas as an underpainting.

  3. step 03

    Begin blocking in the larger areas of color for the background, vase, and foliage using loose, expressive brushstrokes.

  4. step 04

    Add layers of color to the flowers, building up texture and detail with thicker paint and visible brushstrokes.

  5. step 05

    Introduce highlights and shadows to create depth and dimension, paying attention to the way light interacts with the different elements.

  6. step 06

    Use small, deliberate strokes to add details such as the butterfly and individual leaves.

  7. step 07

    Refine the composition and adjust colors as needed to achieve a harmonious and balanced effect.

  8. step 08

    Add final touches and allow the painting to dry completely.

color palette

primary · titanium white · sap green · burnt umber · cadmium red

secondary · yellow ochre · cerulean blue · alizarin crimson

Mix greens by blending sap green with yellow ochre or burnt umber for variations. Create muted pinks by mixing cadmium red with titanium white and a touch of burnt umber.

techniques

  • ·impasto
  • ·dry brushing
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating mud by overmixing colors on the palette or canvas.
  • →Ignoring the importance of value contrast in creating depth.
  • →Not establishing a clear focal point within the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on medium)

optional

  • ·easel
  • ·painting apron
  • ·varnish

Use a variety of brush sizes to achieve different effects. Consider using a palette knife to apply paint for added texture.

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oil painting for beginners →how to learn by studying the masters →
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