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Figure with White Lake by Elmer Bischoff

plate no. 3325

Figure with White Lake

Elmer Bischoff, 1964

oilExpressionismnude painting (nu)figurelandscapebeachhillsskywater
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for skin tones and landscapes, and simplifying complex forms into expressive shapes. It's a good exercise in capturing a mood rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figure, cliffs, hills, and horizon line.

  2. step 02

    Block in the large areas of color: sky, water, land, and figure, using thin washes.

  3. step 03

    Start building up the colors in the cliffs and hills, focusing on capturing the general color variations.

  4. step 04

    Develop the figure's form with loose brushstrokes, paying attention to the light and shadow.

  5. step 05

    Add details to the beach area, suggesting texture and form with varied brushstrokes.

  6. step 06

    Refine the sky and water, adding subtle color variations and cloud formations.

  7. step 07

    Review the overall composition and make any necessary adjustments to color or value.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt sienna · titanium white · ultramarine blue

secondary · yellow ochre · viridian green · cadmium red light

Mix skin tones using burnt sienna, white, and a touch of cadmium red. Achieve the greens by mixing ultramarine blue and yellow ochre. Use white to lighten and cool colors.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·color temperature variation
  • ·simplification of form

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Getting bogged down in precise anatomical accuracy of the figure.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the atmospheric perspective in the landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (flats and rounds)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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