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home·artworks·Figure Vase and Checkered Tablecloth
Figure Vase and Checkered Tablecloth by Charles Blackman

plate no. 9511

Figure Vase and Checkered Tablecloth

Charles Blackman

oilExpressionismstill lifetablecheckered tableclothvaseflowersfigurestill life
some experience helpful

Recreating this painting will help students practice color mixing to achieve specific hues and values, as well as develop skills in creating a sense of depth and form through layering and subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the table, vase, and figure, paying attention to proportions.

  2. step 02

    Establish the background color with a dark blue-green base.

  3. step 03

    Block in the main areas of the tablecloth with simplified colors: dark blue, lighter blue, green, and white.

  4. step 04

    Refine the colors of the tablecloth squares, adding subtle variations and blending edges.

  5. step 05

    Paint the vase and flowers with dark blues, suggesting form with highlights and shadows.

  6. step 06

    Add the figure with a muted blue tone, keeping it simple and somewhat abstract.

  7. step 07

    Refine the table legs and edges, adding details to define the structure.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · Prussian blue · Viridian green · Titanium white

secondary · Payne's gray · Lemon Yellow

Mix Prussian blue and Viridian green to create the base background color. Add white to these colors to create lighter shades for the tablecloth. A touch of yellow can be added to the green for brighter squares.

techniques

  • ·Color mixing
  • ·Layering
  • ·Dry brushing
  • ·Impasto

common pitfalls

  • →Overworking the details in the tablecloth, losing the loose, expressive feel.
  • →Making the colors too saturated, resulting in a less muted and harmonious palette.
  • →Not establishing a strong value structure, leading to a flat and lifeless painting.
  • →Ignoring the subtle color variations within each area, resulting in a less nuanced and interesting painting.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (Prussian blue, Viridian green, Titanium white, Payne's gray, Lemon Yellow)
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Painting medium (e.g., Liquin)
  • ·Easel
  • ·Rags

Using a toned canvas (e.g., with a wash of burnt umber) can help to establish a warm undertone and create a more cohesive painting.

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oil painting for beginners →how to learn by studying the masters →
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