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home·artworks·Figure Symbolizing the Asiatic Race
Figure Symbolizing the Asiatic Race by Diego Rivera

plate no. 0362

Figure Symbolizing the Asiatic Race

Diego Rivera, 1951

fresco, polystyreneMuralismallegorical paintingfigurewaterfrogspeopleallegoryrace
experienced study

Recreating this painting will help students develop skills in figure drawing, complex composition, and color mixing to achieve realistic skin tones and subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, focusing on the placement of the central figure and surrounding elements.

  2. step 02

    Refine the sketch, paying attention to the proportions and anatomy of the figure and the details of the surrounding objects.

  3. step 03

    Apply a base layer of color to the entire canvas, using thin washes to establish the overall color scheme.

  4. step 04

    Begin building up the values and details, working from dark to light and focusing on the areas of greatest contrast.

  5. step 05

    Mix colors to match the skin tones, using layers of glazes to create depth and dimension.

  6. step 06

    Add details to the surrounding objects, such as the frogs, plants, and other figures, using a variety of brushstrokes to create texture and interest.

  7. step 07

    Refine the details and adjust the values as needed to create a cohesive and balanced composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · viridian green · cadmium red light · titanium white

Mix yellow ochre and burnt sienna for skin tones, adding small amounts of ultramarine blue to create shadows. Use viridian green and yellow ochre for the frogs, and cadmium red light for highlights on the skin.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of anatomy and proportion.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium
  • ·Odorless mineral spirits or water
  • ·Rags

optional

  • ·Retarder medium
  • ·Varnish
  • ·Easel

Use high-quality paints and brushes for best results. Consider using a medium to slow down the drying time of the paints.

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