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home·artworks·Figure in Landscape
Figure in Landscape by Elmer Bischoff

plate no. 2662

Figure in Landscape

Elmer Bischoff, 1957

oilExpressionismportraitfigurelandscapeportraitskyhillstrees
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for natural light, and simplifying complex forms into basic shapes. It also encourages expressive mark-making to convey mood and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and landscape, focusing on proportion and placement.

  2. step 02

    Block in the large areas of color using thin washes, establishing the overall value structure.

  3. step 03

    Develop the sky and background with loose, blended brushstrokes, creating a sense of atmosphere.

  4. step 04

    Add details to the landscape, such as the hills and trees, using thicker paint and more defined brushstrokes.

  5. step 05

    Focus on the figure, building up the form with layers of color and value, paying attention to the light and shadow.

  6. step 06

    Refine the details of the face and hands, using smaller brushes and more precise strokes.

  7. step 07

    Add final touches and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · yellow ochre · titanium white · viridian green

secondary · burnt umber · cerulean blue · cadmium red

Mix greens by combining viridian green with yellow ochre or burnt umber. Achieve skin tones by blending yellow ochre, titanium white, and a touch of cadmium red. Use white to lighten values and create atmospheric effects.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·simplification

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and neglecting the overall composition.
  • →Failing to establish a strong value structure.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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