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Fellow Soldier by Walter Gramatté

plate no. 4997

Fellow Soldier

Walter Gramatté, 1917

oil, cardboardExpressionismportraitportraitfiguremanclothinghandsmustache
some experience helpful

Recreating this painting will help students develop skills in color mixing for skin tones and creating depth with layering and visible brushstrokes. It's a good exercise in capturing a likeness and conveying emotion through expression.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, hands, and torso.

  2. step 02

    Establish the dark background using a mix of blues, browns, and blacks, leaving some areas lighter for highlights.

  3. step 03

    Block in the main areas of the face with a base layer of warm browns and yellows.

  4. step 04

    Add highlights and shadows to the face, using reds, oranges, and darker browns to define the features.

  5. step 05

    Paint the clothing, focusing on the dark suit and the white collar, using visible brushstrokes to create texture.

  6. step 06

    Develop the hands, paying attention to the overlapping fingers and the subtle color variations.

  7. step 07

    Refine the details of the face, including the eyes, mustache, and beard.

  8. step 08

    Add final touches and highlights to the entire painting, ensuring a cohesive and expressive result.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · raw sienna

Mix various shades of brown by combining burnt umber, yellow ochre, and ultramarine blue. Achieve skin tones by blending yellow ochre, burnt sienna, and a touch of red. Use white to lighten colors and create highlights.

techniques

  • ·color mixing
  • ·layering
  • ·visible brushstrokes
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Ignoring the subtle color variations in the skin tones.
  • →Failing to capture the likeness and expression of the subject.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use good quality oil paints for best results. A medium-textured canvas will work well with the visible brushstrokes.

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oil painting for beginners →how to learn by studying the masters →
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