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home·artworks·Fatma (II)
Fatma (II) by Henri Matisse

plate no. 1140

Fatma (II)

Henri Matisse, 1912

oilFauvismportraitfigureportraitclothingseatedindoortextiles
some experience helpful

Recreating this painting will help students practice simplifying complex forms and using bold, expressive brushstrokes to define shapes and create texture. It's also a good exercise in color mixing and understanding how to create a sense of depth with limited values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 7 steps

  1. step 01

    Sketch the basic shapes of the figure and background, focusing on proportions and composition.

  2. step 02

    Block in the large areas of color: blue for the background, red for the clothing, and a base tone for the skin.

  3. step 03

    Add the details of the clothing, such as the yellow trim and the patterned bowl, using simplified shapes and colors.

  4. step 04

    Define the facial features with simple lines and shadows, paying attention to the expression.

  5. step 05

    Add the red dots to the background, varying their size and placement for visual interest.

  6. step 06

    Refine the brushstrokes and edges, using short, expressive strokes to create texture and movement.

  7. step 07

    Adjust the colors and values as needed to create a cohesive and balanced composition.

color palette

primary · ultramarine blue · cadmium red · yellow ochre · raw umber

secondary · titanium white · burnt sienna

Mix various shades of blue by adding white or a touch of red. Create skin tones by mixing raw umber, yellow ochre, and white. Use red and yellow to create oranges for the details.

techniques

  • ·blocking in
  • ·expressive brushstrokes
  • ·color mixing
  • ·simplification of form
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the spontaneity of the original.
  • →Using too many colors and creating a muddy effect.
  • →Not paying attention to the proportions of the figure.
  • →Making the background too uniform and lacking visual interest.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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