apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Father and Son
Father and Son by Ben Shahn

plate no. 3954

Father and Son

Ben Shahn, 1946

oilExpressionismgenre paintingfigurestreesskybuildingslandscapeclothing
some experience helpful

Recreating this painting will help students develop skills in layering colors to create texture and capturing expressive figures with simplified forms. It also encourages experimentation with color palettes to evoke mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and background elements.

  2. step 02

    Block in the main areas of color: blue for the sky and ground, red for the trees, black for the man's coat, and yellow for the bundle.

  3. step 03

    Add layers of color to the sky and ground, using short, visible brushstrokes to create texture.

  4. step 04

    Develop the red trees, varying the thickness of the branches and adding highlights and shadows.

  5. step 05

    Refine the figures, paying attention to the facial features and the folds in the clothing.

  6. step 06

    Add details to the woman and the picture frame she is holding.

  7. step 07

    Adjust the overall color balance and contrast to create a cohesive and expressive image.

  8. step 08

    Add final details and highlights to enhance the painting's depth and visual interest.

color palette

primary · Prussian blue · Cadmium red · Yellow ochre · Black

secondary · Titanium white · Burnt umber

Mix various shades of blue by adding white or burnt umber to Prussian blue. Create the red tree branches by mixing cadmium red with a touch of burnt umber for depth. Achieve the yellow bundle color by mixing yellow ochre with white, and adding small amounts of burnt umber for shadows.

techniques

  • ·Layering
  • ·Dry brushing
  • ·Color mixing
  • ·Simplified forms
  • ·Expressive brushwork

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere in the background.
  • →Inaccurate proportions of the figures.
  • →Using colors that are too saturated and not harmonious.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Acrylic or oil paints
  • ·Round and flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·Easel
  • ·Apron
  • ·Rags

Using a textured canvas can enhance the visible brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor