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home·artworks·Faszination Santorin
Faszination Santorin by Matthias Laurenz Gräff

plate no. 7652

Faszination Santorin

Matthias Laurenz Gräff

oilExpressionismcityscapebuildingsseaskycloudsarchitecturevegetation
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using bold brushstrokes to create texture and form. It also provides practice in color mixing to achieve vibrant and harmonious color combinations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition of the buildings and landscape using light pencil lines.

  2. step 02

    Block in the large areas of color for the sky, sea, and buildings using thinned paint.

  3. step 03

    Begin to define the shapes of the buildings with thicker paint and bolder brushstrokes.

  4. step 04

    Add details such as windows, doors, and architectural features, focusing on accurate placement and proportion.

  5. step 05

    Introduce highlights and shadows to create depth and dimension in the buildings and landscape.

  6. step 06

    Paint the foliage and other vegetation, using a variety of greens and textures.

  7. step 07

    Refine the details and add any final touches to complete the painting.

  8. step 08

    Varnish the painting once it is completely dry to protect the surface and enhance the colors.

color palette

primary · ultramarine blue · titanium white · cadmium red · cadmium yellow

secondary · cerulean blue · burnt sienna · sap green

Mix blues and white for the sky and sea, varying the proportions to create different shades. Use cadmium red and yellow to create oranges and yellows for the buildings. Mix greens with blue and yellow for the foliage.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·impasto
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.
  • →Inaccurate proportions of the buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·turpentine or mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·apron

Use good quality paints for best results. Consider using a medium to adjust the consistency and drying time of the paints.

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oil painting for beginners →how to learn by studying the masters →
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