apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Farmyard
Farmyard by Vilmos Aba-Novak

plate no. 1319

Farmyard

Vilmos Aba-Novak, 1936

tempera, woodExpressionismlandscapetreesbuildingcowslandscapefarmfence
some experience helpful

Recreating this painting will help students develop skills in blocking in shapes with bold brushstrokes and understanding how to use color temperature to create depth and form. It also encourages simplification of complex scenes into basic geometric forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, trees, and cows, focusing on composition.

  2. step 02

    Block in the large areas of color for the sky, trees, building, and ground using simplified shapes.

  3. step 03

    Start with the darkest values, gradually adding lighter tones to build form.

  4. step 04

    Define the shapes of the trees and foliage with visible brushstrokes, using a mix of greens and blues.

  5. step 05

    Add details to the building, such as the roof and windows, using contrasting colors.

  6. step 06

    Refine the shapes and colors of the cows, paying attention to the highlights and shadows.

  7. step 07

    Add the fence and other details in the foreground, using short, broken brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · cadmium red · yellow ochre

secondary · sap green · titanium white · violet

Mix greens by combining blue and yellow. Achieve muted tones by mixing complementary colors. Use white to lighten values and create highlights.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·simplification

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to simplify the shapes and colors.
  • →Ignoring the importance of value contrast.
  • →Not paying attention to color temperature to create depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (#4, #8)
  • ·flat brushes (#6, #10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette to simplify color mixing. Acrylics are faster drying and easier to clean, while oils offer more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor