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home·artworks·Farmhouses in a sunny landscape
Farmhouses in a sunny landscape by Constant Permeke

plate no. 1549

Farmhouses in a sunny landscape

Constant Permeke

oilExpressionismlandscapelandscapefarmhousestreessunfieldwheelbarrow
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive and expressive landscape. It will also help with understanding how to create a sense of depth and atmosphere with color and brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the composition: horizon line, farmhouses, trees, and the sun.

  2. step 02

    Block in the sky with a thin layer of yellow ochre, leaving a circular area for the sun.

  3. step 03

    Add a touch of white to the sun area and blend to create a glow.

  4. step 04

    Mix a dark green and brown for the trees and block in their shapes with visible brushstrokes.

  5. step 05

    Use a lighter green for the field, varying the tone to suggest depth.

  6. step 06

    Add the farmhouses and wheelbarrow using darker tones of brown and green.

  7. step 07

    Refine the details of the trees and farmhouses, adding highlights and shadows.

  8. step 08

    Add final touches to the sun and sky, blending the colors to create a soft, hazy effect.

color palette

primary · yellow ochre · burnt umber · sap green

secondary · titanium white · raw sienna

Mix yellow ochre and white for the sky and sun. Combine burnt umber and sap green for the darker areas of the trees and farmhouses. Use white to lighten the greens and browns for highlights.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·scumbling
  • ·limited palette
  • ·alla prima

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Making the trees too symmetrical.
  • →Ignoring the subtle variations in color and tone.
  • →Not simplifying the shapes enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·round brush #4
  • ·flat brush #8
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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