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home·artworks·Fara Ali, Afdem
Fara Ali, Afdem by Alexandre Jacovleff

plate no. 3885

Fara Ali, Afdem

Alexandre Jacovleff

oilExpressionismportraitportraitfigureclothingstaffman
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating texture with visible brushstrokes. It also provides practice in simplifying complex patterns.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Block in the main areas of color for the skin, clothing, and background, using thin washes.

  3. step 03

    Start building up the skin tones with layers of color, focusing on the light and shadow areas.

  4. step 04

    Begin adding the pattern to the clothing, simplifying the design and focusing on the overall color relationships.

  5. step 05

    Define the features of the face, paying attention to the eyes, nose, and mouth.

  6. step 06

    Add details to the hands and staff, using darker colors to create depth and dimension.

  7. step 07

    Refine the background and add any final touches to the painting.

  8. step 08

    Add final details and highlights to enhance the overall impression.

color palette

primary · raw umber · yellow ochre · cadmium red · ivory black

secondary · sap green · ultramarine blue · titanium white

Mix various shades of brown and yellow ochre with small amounts of red and blue to achieve the skin tones. Use white to lighten the colors and create highlights.

techniques

  • ·dry brushing
  • ·scumbling
  • ·color layering
  • ·hatching
  • ·portrait sketching

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Getting the proportions wrong in the initial sketch.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·charcoal pencils
  • ·acrylic paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·retarder medium
  • ·painting varnish
  • ·easel

Use a medium-grit canvas for a slightly textured surface. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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