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Family Group by Joshua Johnson

plate no. 4681

Family Group

Joshua Johnson, 1800

oilNaïve Art (Primitivism)portraitfamilyportraitfiguresclothinginteriorgroup
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and creating a sense of depth through layering and subtle value changes. It also provides practice in rendering fabrics and textures with a limited palette.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of figures.

  2. step 02

    Block in the background with dark, muted tones.

  3. step 03

    Establish the basic skin tones for each figure, paying attention to subtle variations.

  4. step 04

    Begin layering the clothing, starting with the darkest shadows and gradually adding highlights.

  5. step 05

    Refine the facial features, focusing on capturing the unique characteristics of each individual.

  6. step 06

    Add details such as the lace, buttons, and accessories.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · prussian blue · cadmium red light

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use yellow ochre to warm the skin tones and add subtle highlights. Mix prussian blue and titanium white for the blue dress.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the correct proportions of the figures.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle value changes in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·prussian blue oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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