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home·artworks·Excommunication and Execution of Father Hidalgo
Excommunication and Execution of Father Hidalgo by David Alfaro Siqueiros

plate no. 4961

Excommunication and Execution of Father Hidalgo

David Alfaro Siqueiros, 1953

pyroxylinExpressionismgenre paintingfiguresreligious figurescrosshistorical eventlandscapesky
some experience helpful

Recreating this painting will help students develop skills in figure painting, color mixing to achieve muted tones, and creating texture with visible brushstrokes. Students will also learn about composition and how to create a focal point.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the cross.

  2. step 02

    Block in the main color areas for the sky, ground, and figures using diluted washes.

  3. step 03

    Start building up the values and details in the figures, paying attention to the light and shadow.

  4. step 04

    Mix and apply the specific colors for the clothing and skin tones, layering to create depth.

  5. step 05

    Add the details of the cross and the inscription, using a smaller brush.

  6. step 06

    Create texture in the ground and sky with visible brushstrokes and dry brushing.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the contrast and create a focal point.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · cadmium red · titanium white · black

Achieve the muted tones by mixing complementary colors and adding white or black to adjust the value. Use yellow ochre and burnt umber to create the skin tones and clothing colors.

techniques

  • ·figure drawing
  • ·color mixing
  • ·dry brushing
  • ·layering
  • ·visible brushstrokes

common pitfalls

  • →Overmixing colors and creating muddy tones.
  • →Getting the proportions of the figures wrong.
  • →Not paying attention to the light and shadow.
  • →Using too much detail in the background.
  • →Failing to create a focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Using a toned canvas can help to establish the overall color scheme. Consider using a limited palette to simplify the color mixing process.

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