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home·artworks·Excavation at Night
Excavation at Night by George Bellows

plate no. 4656

Excavation at Night

George Bellows, 1908

oilAmerican Realismcityscapecityscapebuildingsnightexcavationlighturban
some experience helpful

Recreating this painting will help students understand how to depict a night scene using value contrasts and how to suggest detail with loose, expressive brushstrokes. It will also teach them how to create atmospheric perspective and capture the feeling of a specific time of day.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
5
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, excavation site, and foreground elements.

  2. step 02

    Establish the darkest areas of the painting using a dark neutral color (e.g., burnt umber mixed with ultramarine blue).

  3. step 03

    Block in the general shapes of the buildings and the excavation site with mid-tone grays and browns.

  4. step 04

    Add highlights to the buildings and excavation site, focusing on areas illuminated by artificial light.

  5. step 05

    Develop the foreground details, including the wooden structure and any other visible elements.

  6. step 06

    Refine the brushwork, using thicker paint and more visible strokes to create texture and interest.

  7. step 07

    Add the details of the lights and the glow around them.

  8. step 08

    Adjust values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium red

Mix dark grays and browns by combining ultramarine blue and burnt umber. Add white to create lighter values. Use small amounts of yellow ochre and cadmium red to create the warm glow of the artificial lights.

techniques

  • ·value blocking
  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring the importance of atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for textured brushstrokes. Consider using a toned canvas to speed up the painting process.

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