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home·artworks·Evening Lights
Evening Lights by Piroska Szanto

plate no. 4287

Evening Lights

Piroska Szanto, 1959

oilExpressionismcityscapecityscapebuildingstreesstreetlightsnighturban
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and use color temperature to create depth and mood. It also provides practice in using visible brushstrokes to add texture and energy.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and streetlights, focusing on composition.

  2. step 02

    Establish the overall value structure with a thin wash of diluted purple/blue.

  3. step 03

    Block in the main areas of color, starting with the darkest shadows and working towards the lighter areas.

  4. step 04

    Add the warm yellow tones of the streetlights and windows, using them as focal points.

  5. step 05

    Define the tree branches and other details with visible brushstrokes, varying the pressure and direction.

  6. step 06

    Refine the shapes and edges of the buildings and trees, paying attention to the negative space.

  7. step 07

    Add highlights to create a sense of depth and dimension.

  8. step 08

    Review and adjust the overall color balance and value contrast.

color palette

primary · ultramarine blue · dioxazine purple · titanium white

secondary · yellow ochre · cadmium yellow light · sap green

Mix various shades of purple by combining ultramarine blue and dioxazine purple with varying amounts of white. Use yellow ochre and cadmium yellow light for the warm light sources. Add small amounts of green to darken the purples.

techniques

  • ·blocking
  • ·scumbling
  • ·dry brush
  • ·color mixing
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of negative space.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 4, 8)
  • ·flat brushes (sizes 6, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on paint type)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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