plate no. 2338

Erecting a Camouflage Tree

Leon Underwood, 1919

oilExpressionismgenre paintingfiguressoldierstreelandscapeconstructioncamouflage

experienced study

This painting offers a chance to practice figure drawing and rendering skin tones in varied lighting conditions. Students can also learn about creating a sense of depth through layering and atmospheric perspective.

technical profile

palette complexity

brushwork visibility

value contrast

compositional simplicity

study guide

est. 20 hrs

approach — 8 steps

step 01
Begin with a light sketch outlining the main shapes and figures, paying attention to proportions and placement.
step 02
Establish the background with broad washes of color, focusing on the sky and distant landscape.
step 03
Block in the main color masses for each figure, using a limited palette of earth tones and muted colors.
step 04
Develop the forms by adding highlights and shadows, focusing on the anatomy and musculature of the figures.
step 05
Refine the details of the faces, clothing, and equipment, using smaller brushes and more precise strokes.
step 06
Add the camouflage tree, paying attention to its texture and form.
step 07
Adjust the overall composition and color balance, adding final touches and details.
step 08
Consider adding a thin glaze to unify the painting.

color palette

primary · raw umber · burnt sienna · titanium white · yellow ochre

secondary · ultramarine blue · cadmium red · sap green

Mix skin tones by blending raw umber, burnt sienna, and titanium white, adjusting the proportions to create variations in warmth and coolness. Use ultramarine blue and cadmium red to create muted purples and grays for shadows.

techniques