plate no. 7300
Entry into the Mine
Diego Rivera, 1923
some experience helpful
Recreating this painting will help students develop skills in creating depth through layering and atmospheric perspective, as well as understanding how to depict figures in a dimly lit environment. Students will also learn how to create a sense of texture and movement using visible brushstrokes.
technical profile
palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3
study guide
est. 12 hrsapproach — 8 steps
- step 01
Sketch the basic composition, focusing on the placement of the figures and the architectural elements.
- step 02
Establish the overall tonal range with a thin wash of burnt umber.
- step 03
Block in the main shapes of the figures and the mine entrance, using darker values for areas in shadow.
- step 04
Begin layering colors to create depth and dimension, focusing on the subtle shifts in value.
- step 05
Add details to the figures, such as clothing and tools, using smaller brushes.
- step 06
Refine the architectural elements, paying attention to the texture and form of the arches.
- step 07
Create a sense of atmosphere by softening edges and blending colors in the background.
- step 08
Add final highlights and shadows to enhance the overall contrast and create a sense of realism.
color palette
primary · burnt umber · raw sienna · titanium white
secondary · yellow ochre · ivory black · raw umber
Achieve the earthy tones by mixing burnt umber with varying amounts of raw sienna and titanium white. Use ivory black sparingly to create deeper shadows. Yellow ochre can be added to warm up certain areas.
techniques
- ·layering
- ·dry brushing
- ·scumbling
- ·atmospheric perspective
- ·chiaroscuro
common pitfalls
- →Overworking the painting and losing the sense of spontaneity.
- →Creating too much contrast, which can flatten the image.
- →Failing to establish a clear focal point.
- →Ignoring the subtle shifts in value that create depth.
materials
surface · stretched canvas
required
- ·stretched canvas
- ·burnt umber oil paint
- ·raw sienna oil paint
- ·titanium white oil paint
- ·yellow ochre oil paint
- ·ivory black oil paint
- ·round brushes (various sizes)
- ·linseed oil
optional
- ·palette knife
- ·painting medium
- ·varnish
A canvas with a medium texture will work well for this painting. Consider using a toned canvas to help establish the overall tonal range.
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