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home·artworks·Entrance to the Radićeva Street ("City Guard", "Turkish Tower")
Entrance to the Radićeva Street ("City Guard", "Turkish Tower") by Alfred Freddy Krupa

plate no. 1673

Entrance to the Radićeva Street ("City Guard", "Turkish Tower")

Alfred Freddy Krupa, 1997

watercolorContemporary Realismcityscapebuildingstreecityscapeskyarchitecturestreet
some experience helpful

Recreating this painting will help students develop skills in watercolor layering and creating depth through atmospheric perspective. It also provides practice in rendering architectural forms and natural elements with loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, tree, and horizon line.

  2. step 02

    Apply a light wash of diluted blue and grey for the sky.

  3. step 03

    Paint the distant buildings with a diluted wash of ochre and grey, focusing on soft edges.

  4. step 04

    Layer in the greens of the tree canopy with varying shades of green and yellow.

  5. step 05

    Add the orange roof and details of the white building with more saturated colors.

  6. step 06

    Paint the tree trunk and branches with a mix of brown and black, using a dry brush technique for texture.

  7. step 07

    Add shadows and details to the buildings and ground with darker washes.

  8. step 08

    Refine the details and add final touches, such as small windows and architectural details.

color palette

primary · cerulean blue · yellow ochre · burnt sienna

secondary · raw umber · sap green · payne's grey

Mix greens by combining blue and yellow ochre. Create greys by mixing complementary colors. Dilute colors with water to achieve lighter washes.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·watercolor layering
  • ·atmospheric perspective
  • ·value control

common pitfalls

  • →Overworking the painting and losing the freshness of the watercolor.
  • →Using too much water and creating muddy colors.
  • →Not allowing layers to dry completely before adding more details.
  • →Ignoring the importance of light and shadow in creating depth.

materials

surface · watercolor paper 140lb cold press

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb cold press)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve varying levels of detail.

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watercolor techniques →how to learn by studying the masters →
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