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home·artworks·Elm Park Gardens, I
Elm Park Gardens, I by John Bratby

plate no. 4468

Elm Park Gardens, I

John Bratby, 1959

oilExpressionismcityscapecityscapebuildingsstreetcarsskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in loose, expressive brushwork and simplifying complex architectural forms into basic shapes. It also provides practice in creating depth through value and color temperature changes.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, street, and vehicles, focusing on perspective.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with thin washes.

  3. step 03

    Begin adding local color to the buildings, street, and vehicles, using a limited palette.

  4. step 04

    Develop the sky with loose, horizontal brushstrokes, blending the colors softly.

  5. step 05

    Refine the details of the buildings and vehicles, adding windows, doors, and other architectural elements with expressive brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Use thicker paint and bolder brushstrokes to emphasize certain areas and create texture.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, or value.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · cadmium red light · ultramarine blue · yellow ochre

Mix various shades of gray and brown by combining raw umber, titanium white, and small amounts of other colors. Use cadmium red light to create the red bus and other accents. Mix ultramarine blue and burnt sienna to create darker shadows.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to establish a strong value structure, resulting in a flat and lifeless painting.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Not simplifying the complex architectural forms into basic shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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