
plate no. 3724
Maria Blanchard, 1926
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating form with visible brushstrokes. It also provides practice in simplifying complex shapes into geometric forms.
technical profile
approach — 8 steps
Create a rough sketch of the composition, focusing on the placement of the figure, table, and background elements.
Block in the main shapes with simplified color masses, paying attention to the overall value structure.
Begin refining the skin tones, mixing subtle variations of color for highlights and shadows.
Add details to the clothing, focusing on the patterns and textures of the vest and shirt.
Paint the background elements, simplifying the forms and using a limited palette.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Add highlights and shadows to create depth and dimension.
Make final adjustments to the colors and values to achieve a cohesive and expressive result.
color palette
primary · ultramarine blue · yellow ochre · burnt umber · titanium white
secondary · cadmium red · ivory black
Mix skin tones by combining yellow ochre, burnt umber, cadmium red, and titanium white. Use ultramarine blue and burnt umber to create dark shadows. Add small amounts of ivory black to darken colors subtly.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to enhance the visibility of the brushstrokes. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor