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home·artworks·Eisiger März
Eisiger März by Werner Berg

plate no. 1053

Eisiger März

Werner Berg

oilExpressionismlandscapetreesnowwinterlandscapebranches
some experience helpful

Recreating this painting will help students understand how to depict form using subtle value changes and how to create a sense of depth through layering and atmospheric perspective. It's also a good exercise in observing and painting the nuances of light and shadow on snow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the tree trunk, branches, and snow drifts, paying attention to the overall composition.

  2. step 02

    Establish the background color with a thin wash of muted green-gray.

  3. step 03

    Block in the dark values of the tree trunk and branches, using a mix of dark blues and browns.

  4. step 04

    Add the snow on the branches and ground, using a mix of white and light blue, paying attention to the highlights and shadows.

  5. step 05

    Layer in the subtle variations of color in the snow, using blues, purples, and grays.

  6. step 06

    Refine the shapes of the branches and snow drifts, adding details and texture with visible brushstrokes.

  7. step 07

    Add the thin red branches.

  8. step 08

    Adjust the values and colors as needed to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · raw sienna · alizarin crimson · payne's gray

Mix ultramarine blue and burnt umber for the dark tree trunk. Use titanium white and ultramarine blue for the snow highlights. Add a touch of raw sienna to warm up the snow shadows. Mix alizarin crimson with burnt umber for the thin red branches.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·value study

common pitfalls

  • →Making the snow too white and flat.
  • →Not paying attention to the subtle color variations in the snow.
  • →Overworking the details and losing the overall impression.
  • →Failing to establish a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·alizarin crimson oil paint
  • ·payne's gray oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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