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home·artworks·Eglise Montrouge, Paris
Eglise Montrouge, Paris by Max Gubler

plate no. 0281

Eglise Montrouge, Paris

Max Gubler, 1931

oilExpressionismcityscapecityscapebuildingschurchwindowskyrooftops
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and capturing the essence of a subject with expressive brushstrokes. It also provides practice in mixing and applying a limited color palette to create a cohesive and atmospheric effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the church and the window frame.

  2. step 02

    Block in the sky with a light blue-gray mixture, using loose, visible brushstrokes.

  3. step 03

    Establish the main shapes of the buildings with simplified forms and muted colors.

  4. step 04

    Paint the church tower, paying attention to its verticality and the subtle variations in tone.

  5. step 05

    Add the window frame using bold, dark strokes, creating a strong contrast and defining the foreground.

  6. step 06

    Introduce the objects on the left side, simplifying their forms and using a limited color palette.

  7. step 07

    Refine the details and add highlights to create depth and dimension.

  8. step 08

    Review the overall composition and make any necessary adjustments to balance the painting.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · cadmium red · yellow ochre · ivory black

Mix various shades of gray by combining white, black, and small amounts of blue or umber. Achieve the warm tones by mixing red, yellow ochre, and umber. Use white to lighten and soften the colors.

techniques

  • ·expressive brushstrokes
  • ·simplified forms
  • ·limited palette
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the details
  • →Getting bogged down in realism
  • →Ignoring the overall composition
  • →Using too many colors
  • →Not simplifying the forms

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, ultramarine blue, burnt umber, cadmium red, yellow ochre, ivory black)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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