
plate no. 1694
George Mavroides, 1959
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression through simplified forms and color blocking. It also provides practice in handling visible brushstrokes and creating depth with value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Establish the overall value structure by blocking in large areas of light and shadow with thin washes.
Mix the primary skin tones and apply them to the face, paying attention to the planes of the face.
Add secondary colors to the skin to create warmth and depth, such as pinks on the cheeks and yellows on the forehead.
Define the features of the face with darker values and smaller brushstrokes.
Paint the clothing and background, using bold brushstrokes and simplified shapes.
Refine the details and add highlights to create a sense of form and dimension.
Adjust the overall composition and color balance to achieve a cohesive and expressive portrait.
color palette
primary · ultramarine blue · burnt umber · titanium white · yellow ochre
secondary · cadmium red · ivory black
Mix various shades of gray by combining ultramarine blue, burnt umber, and titanium white. Use yellow ochre and cadmium red to create warm skin tones. Add small amounts of ivory black to darken colors and create shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette of colors to simplify the mixing process. Experiment with different brushstrokes to create texture and visual interest.
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