apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Edward Alfred Cucuel
Edward Alfred Cucuel by Andrey Allakhverdov

plate no. 6924

Edward Alfred Cucuel

Andrey Allakhverdov, 2017

oilExpressionismportraitportraitfiguresstill lifepaintingartistinterior
experienced study

This painting provides an opportunity to practice portraiture, still life, and painting within a painting. Students will develop skills in color mixing, layering, and capturing likeness.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and objects.

  2. step 02

    Block in the main color areas, starting with the background and larger shapes.

  3. step 03

    Develop the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Add details to the clothing and accessories, such as the hats and flowers.

  5. step 05

    Paint the still life elements, focusing on the highlights and shadows.

  6. step 06

    Recreate the painting within the painting, capturing its unique style and color palette.

  7. step 07

    Refine the details and add finishing touches, such as the brushstrokes and textures.

  8. step 08

    Varnish the painting to protect it and enhance its colors.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · cadmium yellow

Mix skin tones using yellow ochre, cadmium red, and titanium white. Achieve greens by mixing viridian green with cadmium yellow or ultramarine blue.

techniques

  • ·portraiture
  • ·still life painting
  • ·layering
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the subtle variations in skin tones.
  • →Failing to capture the likeness of the figures.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor