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home·artworks·Edna Smith in a Japanese Wrap
Edna Smith in a Japanese Wrap by Robert Henri

plate no. 2475

Edna Smith in a Japanese Wrap

Robert Henri, 1915

oilAmerican Realismportraitportraitfigurewomanhairclothingfloral
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing loose, expressive brushwork to create texture and depth.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand.

  2. step 02

    Establish the background with a dark, muted green, blending the edges for a soft effect.

  3. step 03

    Block in the main areas of color for the face, hair, and clothing, paying attention to the overall value structure.

  4. step 04

    Refine the skin tones by layering subtle variations of color, focusing on the highlights and shadows.

  5. step 05

    Add details to the hair, using loose brushstrokes to create texture and movement.

  6. step 06

    Paint the floral pattern on the wrap, simplifying the shapes and colors.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · burnt umber · cadmium red light · yellow ochre

secondary · viridian · titanium white · cadmium yellow

Mix skin tones using yellow ochre, cadmium red light, and titanium white. Use burnt umber and ivory black to create dark shadows and muted greens for the background.

techniques

  • ·portrait painting
  • ·alla prima
  • ·color mixing
  • ·blending
  • ·expressive brushwork

common pitfalls

  • →Overworking the details of the face.
  • →Using too much detail in the floral pattern.
  • →Failing to capture the likeness of the subject.
  • →Creating muddy or dull colors.
  • →Ignoring the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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