
plate no. 9490
Josef Capek, 1923
Recreating this painting will help students practice simplified figure drawing and layering brushstrokes to create texture and depth in a landscape. It's also a good exercise in color mixing to achieve muted and harmonious tones.
technical profile
approach — 8 steps
Sketch the basic shapes of the figures and the landscape elements (ground, water, foliage) with light pencil lines.
Apply a thin wash of diluted ochre or raw sienna to the background to create a warm undertone.
Block in the main colors of the figures (skin tones, clothing) using simplified shapes and flat tones.
Start layering the foliage with short, broken brushstrokes of various greens and blues, creating a textured effect.
Add the water reflections using horizontal strokes of light blues and greens, blending them softly.
Refine the details of the figures, adding subtle shadows and highlights to define their forms.
Introduce small pops of color with the red flowers and other details.
Review the overall composition and make any necessary adjustments to balance the colors and values.
color palette
primary · Prussian blue · Cadmium red · Yellow ochre
secondary · Titanium white · Emerald green · Burnt umber
Mix muted greens by combining Prussian blue, yellow ochre, and a touch of burnt umber. Create skin tones by blending cadmium red, yellow ochre, and titanium white, adjusting the proportions for different shades.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Use a limited palette of colors to simplify the mixing process. Consider using a medium to slow the drying time of the paints.
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