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home·artworks·Duane Street, New York
Duane Street, New York by Louis Comfort Tiffany

plate no. 9584

Duane Street, New York

Louis Comfort Tiffany, 1877

oilPost-Impressionismcityscapebuildingsstreetfigurescityscapestorefrontssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the mood of a cityscape through limited color palettes and loose brushwork. It also provides practice in simplifying complex architectural forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and street.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the larger areas of color, focusing on the relationships between the buildings, sky, and street.

  4. step 04

    Add details to the buildings, such as windows, doors, and signs, using slightly darker values.

  5. step 05

    Paint the figures with simple shapes and minimal detail, focusing on their silhouettes.

  6. step 06

    Develop the texture of the street and buildings with visible brushstrokes and subtle color variations.

  7. step 07

    Refine the highlights and shadows to create depth and dimension.

  8. step 08

    Add final details and adjust the overall composition as needed.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · ultramarine blue

Achieve the muted tones by mixing the primary colors with white and small amounts of blue to create grays and browns. Use yellow ochre sparingly for highlights and warmth.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Getting lost in the details too early.
  • →Overworking the painting and losing the loose, impressionistic feel.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 6, 10)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall value structure.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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