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home·artworks·Double maternity
Double maternity by Arturo Souto

plate no. 7945

Double maternity

Arturo Souto, 1964

oilExpressionismgenre paintingmotherchildcowsanimalspitcherinterior
some experience helpful

Recreating this painting will help students develop skills in layering paint, creating texture with visible brushstrokes, and mixing warm and cool tones to create depth and form. It also provides practice in depicting figures and animals in a stylized, expressive manner.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, animals, and objects.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall value structure.

  3. step 03

    Begin layering paint, building up the forms with short, visible brushstrokes.

  4. step 04

    Pay attention to the transitions between light and shadow, using warm and cool tones to create depth.

  5. step 05

    Add details to the faces and figures, focusing on capturing the expressive qualities of the subjects.

  6. step 06

    Develop the texture of the background and foreground with thicker paint and more varied brushstrokes.

  7. step 07

    Refine the colors and values, adjusting the overall balance of the painting.

  8. step 08

    Add final highlights and details to complete the piece.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · cadmium red

secondary · titanium white · raw sienna · ivory black

Mix burnt umber and ultramarine blue for dark shadows; yellow ochre and cadmium red for warm highlights; use white to lighten values and create subtle color variations.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Ignoring the value structure, leading to a flat and lifeless painting.
  • →Getting bogged down in details too early, before establishing the overall composition.
  • →Not varying the brushstrokes enough, creating a monotonous texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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