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home·artworks·Dead Calm North Greenland
Dead Calm North Greenland by Rockwell Kent

plate no. 5663

Dead Calm North Greenland

Rockwell Kent, 1932

oilAmerican Realismlandscapemountainslakeskyboatfigurelandscape
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using color and value changes. It also provides practice in rendering reflections in water and simplifying complex landscapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, lake, and foreground, paying attention to proportions.

  2. step 02

    Establish the horizon line and the placement of the boat.

  3. step 03

    Block in the sky with broad strokes, blending the colors to create the cloudy effect.

  4. step 04

    Paint the distant mountains with muted colors, gradually increasing the color intensity as you move towards the foreground.

  5. step 05

    Create the reflection in the lake, mirroring the colors and shapes of the mountains and sky, but with softened edges.

  6. step 06

    Add details to the foreground rocks and vegetation, using a variety of brushstrokes to create texture.

  7. step 07

    Paint the boat and figure, paying attention to the light and shadow.

  8. step 08

    Add final details and highlights to enhance the overall composition.

color palette

primary · ultramarine blue · burnt sienna · titanium white

secondary · yellow ochre · alizarin crimson

Mix blues and browns to create the muted purples of the mountains. Use white to lighten the sky and create highlights. Add small amounts of yellow ochre to warm up the browns and reds.

techniques

  • ·atmospheric perspective
  • ·color mixing
  • ·layering
  • ·reflection
  • ·dry brushing

common pitfalls

  • →Overworking the details in the foreground, which can flatten the image.
  • →Failing to create a convincing reflection in the water.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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