apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Děvče v červeném klobouku
Děvče v červeném klobouku by Josef Capek

plate no. 0768

Děvče v červeném klobouku

Josef Capek, 1915

oilExpressionismportraitportraitwomanhatdressfiguregreen background
suitable for beginners

This painting is great for learning about simplifying forms and color blocking. Students can practice creating smooth gradients and defining shapes with clear edges.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Block in the large areas of color: green for the background, blue for the dress, pink for the face, and black/red for the hat.

  3. step 03

    Refine the shapes and edges of the figure and hat, paying attention to the angles and curves.

  4. step 04

    Add subtle shading and highlights to create depth and dimension.

  5. step 05

    Mix and apply the skin tones, focusing on the subtle variations in color.

  6. step 06

    Define the features of the face, such as the eyes, nose, and mouth.

  7. step 07

    Add the small details, such as the button on the dress and the braid.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired effect.

color palette

primary · viridian green · ultramarine blue · titanium white · cadmium red

secondary · burnt sienna · ivory black

Mix different shades of green by combining viridian green and white. Create skin tones by mixing white, cadmium red, and a touch of burnt sienna. Adjust the saturation and value with white and black.

techniques

  • ·color blocking
  • ·smooth blending
  • ·edge control
  • ·simplified forms
  • ·limited palette

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using too many colors.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of value contrast.
  • →Not paying attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Acrylic paints are easier to clean up, but oil paints offer richer colors and blending capabilities.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor