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home·artworks·Cyclists in Sophiatown
Cyclists in Sophiatown by Gerard Sekoto

plate no. 8743

Cyclists in Sophiatown

Gerard Sekoto, 1942

oilSocial Realismgenre paintingcyclistsstreetbuildingsfiguresskyurban scene
some experience helpful

Recreating this painting will help students develop skills in depicting perspective and creating texture with visible brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the street, buildings, and figures.

  2. step 02

    Block in the main color areas for the sky, buildings, and road using thin washes.

  3. step 03

    Establish the dark and light values to create depth and form.

  4. step 04

    Add details to the buildings and figures, focusing on capturing their essence rather than precise detail.

  5. step 05

    Use thicker paint and visible brushstrokes to create texture, especially on the road and buildings.

  6. step 06

    Refine the colors and values, paying attention to the overall harmony of the painting.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Review and adjust the composition as needed to ensure a balanced and cohesive image.

color palette

primary · burnt umber · sky blue · yellow ochre

secondary · titanium white · cadmium red · sap green

Mix muted tones by combining complementary colors. Use white to lighten colors and create variations in value. Achieve the road color by mixing burnt umber with a touch of red and yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·impasto
  • ·perspective drawing
  • ·alla prima

common pitfalls

  • →Overworking details and losing the loose, expressive quality.
  • →Ignoring perspective and creating a flat, unrealistic scene.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil or acrylic medium

optional

  • ·palette knife
  • ·easel
  • ·painting medium
  • ·rags

Use a medium-sized canvas (e.g., 12x16 or 16x20 inches) for this project. Acrylics are more beginner friendly, but oils will allow for richer colors and blending.

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oil painting for beginners →how to learn by studying the masters →
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