apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cubist Landscape with Haystacks
Cubist Landscape with Haystacks by Raoul Dufy

plate no. 2586

Cubist Landscape with Haystacks

Raoul Dufy, 1913

oilFauvismlandscapelandscapevillagehillsskybuildingstrees
some experience helpful

Recreating this painting will help students develop skills in layering colors with visible strokes and simplifying complex scenes into basic shapes. It will also encourage experimentation with color and expressive mark-making.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the hills, buildings, and trees, focusing on the overall composition.

  2. step 02

    Apply a base layer of light yellow or beige to the entire surface.

  3. step 03

    Begin layering in the colors of the hills using broad, visible strokes of green, yellow, and brown.

  4. step 04

    Add the buildings using simplified geometric shapes and colors like orange, red, and blue.

  5. step 05

    Indicate the sky with horizontal strokes of blue, yellow, and brown.

  6. step 06

    Define the edges of shapes with dark outlines to create separation and emphasis.

  7. step 07

    Add details like haystacks and trees with short, expressive strokes.

  8. step 08

    Review and adjust colors and values to achieve the desired effect.

color palette

primary · yellow ochre · sap green · burnt sienna

secondary · cerulean blue · cadmium red · raw umber

Mix greens by combining yellow ochre and cerulean blue. Create browns by mixing burnt sienna with raw umber. Vary the intensity of colors by adding white or thinning with medium.

techniques

  • ·broken color
  • ·expressive line work
  • ·simplified forms
  • ·color layering
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the strokes.
  • →Creating mud by over-mixing colors.
  • →Failing to simplify the forms and getting bogged down in detail.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·Stretched canvas or heavy paper
  • ·Acrylic or oil paints
  • ·Round and flat brushes
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium
  • ·Paper towels
  • ·Pencil

optional

  • ·Easel
  • ·Apron
  • ·Odorless mineral spirits

Use good quality paints for best results. Experiment with different brush sizes and types to achieve different effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse

Pine Trees on Kerkyra

Pine Trees on Kerkyra

Konstantinos Parthenis