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home·artworks·Creole Girl
Creole Girl by Matthew Smith

plate no. 9636

Creole Girl

Matthew Smith, 1924

oilFauvismportraitportraitfigurewomanclothingfacehand
some experience helpful

This painting offers a good opportunity to practice expressive brushwork and color mixing for skin tones. Recreating this will help students understand how to simplify forms and capture a likeness with bold strokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure onto the canvas.

  2. step 02

    Block in the background with dark, broad strokes, paying attention to the areas of red and black.

  3. step 03

    Establish the basic skin tones using a mix of warm yellows, oranges, and reds, focusing on the light and shadow areas.

  4. step 04

    Paint the white shirt with loose, visible brushstrokes, using subtle variations of white and gray.

  5. step 05

    Add the green sleeve, mixing green with yellow and white for highlights.

  6. step 06

    Refine the facial features, paying attention to the placement of the eyes, nose, and mouth.

  7. step 07

    Add the red accent on the lips.

  8. step 08

    Add final details and adjust values as needed to create depth and dimension.

color palette

primary · titanium white · cadmium yellow · cadmium red · ivory black

secondary · viridian green · burnt umber

Mix various shades of skin tones by combining yellow, red, and white, with small amounts of umber for shadows. Use white to lighten colors and black to darken them. Mix green with yellow and white for the sleeve.

techniques

  • ·expressive brushwork
  • ·color mixing for skin tones
  • ·blocking in
  • ·simplifying forms
  • ·impasto

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Incorrect proportions of the figure.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium yellow oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·viridian green oil paint
  • ·burnt umber oil paint
  • ·assorted brushes (flat and round)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use good quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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