apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bill Gibb 1983
Bill Gibb 1983 by John Bratby

plate no. 5913

Bill Gibb 1983

John Bratby

oilExpressionismportraitportraitfiguremanfacebeardclothing
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to create form and texture. It also encourages observation of subtle color variations in skin tones.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Block in the background with a thin layer of turquoise paint.

  3. step 03

    Begin applying thicker paint to the face, starting with the darkest values and gradually adding lighter tones.

  4. step 04

    Use short, directional brushstrokes to define the contours of the face and create texture.

  5. step 05

    Mix a variety of skin tones using warm and cool colors, and apply them in layers.

  6. step 06

    Pay close attention to the highlights and shadows to create a sense of depth.

  7. step 07

    Add details to the eyes, nose, and mouth, using small brushes and precise strokes.

  8. step 08

    Refine the overall composition and adjust the colors as needed.

color palette

primary · turquoise · yellow ochre · burnt umber · titanium white

secondary · cadmium orange · alizarin crimson · ultramarine blue

Achieve skin tones by mixing yellow ochre, burnt umber, alizarin crimson, and titanium white. Use turquoise and white for the background, and add small amounts of other colors to create variation.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·color mixing
  • ·alla prima

common pitfalls

  • →Over-blending the colors, which can result in a muddy appearance.
  • →Failing to observe the subtle color variations in the skin tones.
  • →Getting lost in details too early, before establishing the overall form.
  • →Not using enough paint, which can make the painting look thin and flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor