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Courses a Saint Cloud by Emilio Grau Sala

plate no. 6577

Courses a Saint Cloud

Emilio Grau Sala, 1963

oilFauvismgenre paintinghorsesjockeystreesskyfigureslandscape
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and capturing movement with simplified forms. It also provides practice in color mixing to achieve a harmonious, slightly muted palette.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the horses and figures.

  2. step 02

    Block in the large areas of color: sky, grass, trees, and the main shapes of the horses.

  3. step 03

    Begin adding details to the horses and jockeys, using bold brushstrokes to define their forms.

  4. step 04

    Develop the background elements, such as the trees and distant building, with simplified shapes and colors.

  5. step 05

    Add details to the figures in the foreground, paying attention to their gestures and clothing.

  6. step 06

    Refine the color palette by adding highlights and shadows to create depth and dimension.

  7. step 07

    Add final touches, such as small details in the foliage and the fence in the foreground.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · sap green · raw umber · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · burnt sienna

Achieve the muted greens by mixing sap green with raw umber and titanium white. Use small amounts of cadmium red and ultramarine blue to create the darker tones for the horses and figures.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushwork.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the sense of movement in the horses and figures.
  • →Ignoring the overall color harmony and creating a disjointed composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·painting easel
  • ·rags
  • ·odorless mineral spirits

Use a medium-sized canvas to allow for expressive brushstrokes. Acrylics will dry faster, while oils allow for more blending.

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oil painting for beginners →how to learn by studying the masters →
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