apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cotopaxi (Ecuador)
Cotopaxi (Ecuador) by Frederic Edwin Church

plate no. 7872

Cotopaxi (Ecuador)

Frederic Edwin Church, 1862

oil, canvasLuminismlandscapevolcanosunsetmountainslakecliffswaterfall
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for sunsets, and rendering complex textures of rocks and foliage. It also provides practice in creating a sense of depth and scale in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the volcano, lake, and cliffs.

  2. step 02

    Establish the overall color scheme with a thin wash of warm tones (reds, oranges, yellows).

  3. step 03

    Block in the sky and clouds, paying attention to the subtle gradations of color.

  4. step 04

    Paint the distant mountains and plains, using atmospheric perspective to create depth.

  5. step 05

    Develop the volcano and its smoke plume, layering colors to create a sense of volume.

  6. step 06

    Work on the lake, capturing the reflections of the sunset.

  7. step 07

    Add details to the cliffs and foreground vegetation, using a variety of brushstrokes.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed.

color palette

primary · cadmium red · cadmium yellow · ultramarine blue · titanium white

secondary · burnt sienna · raw umber · viridian

Achieve the sunset hues by mixing cadmium red and cadmium yellow with varying amounts of white. Use ultramarine blue and burnt sienna to create muted grays for the volcano's smoke.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brushing

common pitfalls

  • →Overworking the details in the distant areas.
  • →Creating overly saturated colors.
  • →Failing to establish a clear sense of depth.
  • →Ignoring the subtle gradations of color in the sky.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (cadmium red, cadmium yellow, ultramarine blue, titanium white, burnt sienna, raw umber, viridian)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Sunset with Cows

Sunset with Cows

John Frederick Kensett

Parthenon

Parthenon

Frederic Edwin Church

Hudson River

Hudson River

John Frederick Kensett

Country Home

Country Home

Frederic Edwin Church

Jersey Marshes

Jersey Marshes

Martin Johnson Heade

Mount Lafayette, New Hampshire

Mount Lafayette, New Hampshire

David Johnson

Placid Lake, Adirondacks

Placid Lake, Adirondacks

David Johnson

Syria by the Sea

Syria by the Sea

Frederic Edwin Church