
plate no. 8848
Milton Avery, 1956
This painting is great for learning about simplifying forms and color blocking. Students will practice mixing muted colors and creating a sense of depth with minimal detail.
technical profile
approach — 8 steps
Sketch the basic shapes and placement of the figures and background stripes.
Block in the large areas of color for the background: dark purple and dark blue.
Mix the base color for the first figure's dress (a muted pink) and apply it.
Add the darker purple for the skirt and the lighter pink for the upper part of the dress.
Mix the base color for the second figure's dress (a muted blue) and apply it.
Add subtle highlights and shadows to the blue dress to suggest form.
Add the hair color to both figures.
Refine the edges and shapes of the figures, paying attention to the simplified forms.
color palette
primary · purple · pink · blue
secondary · white · dark purple · light pink
Mix muted tones by adding small amounts of complementary colors (e.g., a touch of green to red) to your primary colors. Use white to lighten colors and create tints.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for a slightly textured effect. Acrylics are faster drying and easier to clean, while oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor