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home·artworks·Column in the Verandah
Column in the Verandah by Horia Bernea

plate no. 3656

Column in the Verandah

Horia Bernea

oilExpressionismlandscapeinteriorcolumnverandaharchitecturefurnitureroom
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in depicting spatial relationships and atmospheric perspective within an interior space.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the room, column, and furniture.

  2. step 02

    Apply a thin wash of burnt umber or raw sienna as an underpainting.

  3. step 03

    Block in the large areas of color, focusing on the overall value structure.

  4. step 04

    Begin layering colors, using short, visible brushstrokes to build texture.

  5. step 05

    Pay attention to the subtle color variations within each area.

  6. step 06

    Refine the details of the column and furniture, adding highlights and shadows.

  7. step 07

    Add final touches and adjust the overall balance of the painting.

  8. step 08

    Consider adding a thin glaze to unify the colors.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium orange

secondary · cerulean blue · sap green · yellow ochre

Mix various shades of brown and orange by combining burnt sienna, raw umber, and cadmium orange. Use titanium white to lighten colors and create highlights. Add small amounts of cerulean blue to create cooler tones and atmospheric perspective.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations within each area.
  • →Getting bogged down in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (burnt sienna, raw umber, titanium white, cadmium orange, cerulean blue, sap green, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat, round)
  • ·linseed oil or other painting medium
  • ·odorless mineral spirits or turpentine

optional

  • ·retouch varnish
  • ·easel
  • ·painting rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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