apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Colored sky above the Marais
Colored sky above the Marais by Emil Nolde

plate no. 1686

Colored sky above the Marais

Emil Nolde, 1940

watercolor, paperExpressionismlandscapelandscapeskyfieldhousecloudssunset
some experience helpful

This painting provides an opportunity to practice wet-on-wet watercolor techniques and explore color blending to create atmospheric effects. Students can learn to simplify forms and capture the essence of a landscape using expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 4 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the house and fields.

  2. step 02

    Apply a light wash of yellow to the areas where the light is hitting the field and sky.

  3. step 03

    Mix a dark gray/blue and apply it to the sky using wet-on-wet technique, allowing colors to blend.

  4. step 04

    Add touches of green and blue to the sky to create depth and variation.

  5. step 05

    Paint the field with varying shades of green and yellow, blending them together.

  6. step 06

    Define the shape of the house with dark colors, adding small red details.

  7. step 07

    Add a few dark accents to represent distant objects or shadows.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · yellow · blue · green

secondary · red · gray · black

Mix greens by blending blues and yellows, create grays by mixing complementary colors, and use varying amounts of water to control the intensity of the colors.

techniques

  • ·wet-on-wet blending
  • ·color mixing
  • ·atmospheric perspective
  • ·layering
  • ·simplified forms

common pitfalls

  • →Overworking the colors and losing the freshness of the washes.
  • →Creating muddy colors by over-mixing.
  • →Not allowing enough drying time between layers.
  • →Making the house too detailed and distracting from the overall atmosphere.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 140lb
  • ·round brushes (various sizes)
  • ·water container
  • ·palette
  • ·masking tape
  • ·pencil

optional

  • ·palette knife
  • ·spray bottle
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve varying effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor