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home·artworks·Cold Day
Cold Day by Rudolf Bér

plate no. 3942

Cold Day

Rudolf Bér

oilExpressionismlandscapesnowbuildingstreesskylandscapehill
some experience helpful

This painting provides a good opportunity to practice simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive mood. Students can also develop skills in depicting snow and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the buildings, hill, and snow drifts.

  2. step 02

    Block in the sky with a light gray-blue, establishing the overall value range.

  3. step 03

    Establish the main colors of the buildings, using a mix of browns, yellows, and blues, and indicating the roof lines.

  4. step 04

    Paint the hill in the background with greens and darker shadows to create depth.

  5. step 05

    Add the snow, using white mixed with small amounts of blue and brown to create variations in tone and shadow.

  6. step 06

    Paint the fence using dark browns and blues, suggesting the texture with broken brushstrokes.

  7. step 07

    Add the figure in the snow with a dark color, keeping it simple and small.

  8. step 08

    Refine details and adjust values as needed, paying attention to the overall harmony of the painting.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · viridian green · cadmium red

Mix white with small amounts of blue and brown for the snow. Use burnt umber and yellow ochre for the buildings, adding blue for shadows. Mix viridian green with burnt umber for the hill.

techniques

  • ·blocking in
  • ·broken brushstrokes
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Making the snow too uniformly white and lacking depth.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Ignoring the subtle color variations in the buildings and landscape.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·#6 flat brush
  • ·#2 round brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a medium tooth for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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