apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Cleombrotus Ordered into Banishment by Leonidas II, King of Sparta
Cleombrotus Ordered into Banishment by Leonidas II, King of Sparta by Benjamin West

plate no. 0366

Cleombrotus Ordered into Banishment by Leonidas II, King of Sparta

Benjamin West, 1768

oilNeoclassicismhistory paintingfiguresarchitecturecolumnsinteriorsoldiershistorical scene
experienced study

Recreating this painting would help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting emotional expression through facial features and body language.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the figures, paying attention to anatomy and proportions.

  4. step 04

    Add details to the drapery, creating folds and highlights.

  5. step 05

    Define the architectural elements, such as the columns and arches.

  6. step 06

    Refine the lighting and shadows to create depth and drama.

  7. step 07

    Add final details, such as facial features and textures.

  8. step 08

    Glaze with thin layers of color to unify the painting.

color palette

primary · ochre · raw umber · ivory black · titanium white

secondary · cadmium red · viridian · ultramarine blue

Achieve skin tones by mixing ochre, raw umber, and white. Create subtle variations in drapery by adding small amounts of red, blue, or green to the base colors.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures.
  • →Overly stiff or unnatural poses.
  • →Lack of depth and dimension.
  • →Muddy or unclear color mixtures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Mr. John Williams

Mr. John Williams

Benjamin West