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home·artworks·Clearing Away the Tray
Clearing Away the Tray by Carl Holsøe

plate no. 8832

Clearing Away the Tray

Carl Holsøe

oilExpressionismgenre paintinginteriorfiguretablefurniturecabinetroom
some experience helpful

This painting provides a good opportunity to practice creating a sense of depth using subtle value changes and atmospheric perspective. Recreating this painting will also help students develop skills in painting realistic textures and rendering light in an interior setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements (table, figure, cabinet).

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the colors of the walls and floor, paying attention to the subtle shifts in hue and value.

  4. step 04

    Develop the details of the furniture, focusing on the wood grain and the play of light across the surfaces.

  5. step 05

    Paint the figure, paying attention to the folds of the dress and the way the light falls on the back.

  6. step 06

    Add the details of the objects on the table and in the cabinet, such as the flowers, dishes, and glassware.

  7. step 07

    Refine the edges and details throughout the painting, ensuring that the overall effect is harmonious.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue

Mix various shades of gray and brown by combining raw umber, yellow ochre, and titanium white. Use small amounts of ultramarine blue to cool down the browns and create shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in hue and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas to allow for subtle blending and texture. Consider using a toned ground to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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