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home·artworks·Claudine Resting
Claudine Resting by Jules Pascin

plate no. 5680

Claudine Resting

Jules Pascin, 1913

oilExpressionismnude painting (nu)figurenudechairredportrait
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for skin tones, and capturing a sense of atmosphere through muted colors and soft edges. It also provides practice in depicting the human figure in a relaxed pose.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and the chair, focusing on proportions and composition.

  2. step 02

    Block in the main areas of color with thin washes, starting with the background and chair.

  3. step 03

    Develop the skin tones using a limited palette of warm and cool colors, blending softly.

  4. step 04

    Add the red of the headscarf, varying the tone to create depth and form.

  5. step 05

    Define the figure's features and details with darker values, paying attention to the light source.

  6. step 06

    Paint the stockings and shoes, using subtle gradations of gray and black.

  7. step 07

    Refine the edges and details, softening some areas and sharpening others to create visual interest.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · red · white · raw umber · yellow ochre

secondary · black · gray · blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red or raw umber. Use diluted black and blue to create the gray tones for the stockings. Muted reds are achieved by mixing red with raw umber.

techniques

  • ·dry brushing
  • ·soft blending
  • ·color layering
  • ·limited palette
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors that are too saturated and bright.
  • →Struggling with proportions of the figure.
  • →Creating harsh lines instead of soft edges.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: red, white, raw umber, yellow ochre, black, blue
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil or painting medium
  • ·Odorless mineral spirits
  • ·Rags or paper towels

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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