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City Lights by Margareta Sterian

plate no. 3302

City Lights

Margareta Sterian

oilExpressionismcityscapecityscapebuildingstreesstreetmonumentbus
some experience helpful

Recreating this painting will help students develop skills in loose sketching, color mixing for atmospheric perspective, and capturing the essence of a scene with minimal detail. It also encourages expressive brushwork and simplification of complex forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: buildings, monument, trees, and bus, focusing on proportions and placement.

  2. step 02

    Establish the overall warm tone of the background with a diluted wash of yellow ochre or raw sienna.

  3. step 03

    Block in the larger areas of color: green for the park and trees, red for the bus, and darker browns for the monument and building shadows.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using a fine brush or pencil.

  5. step 05

    Develop the texture of the trees with short, broken brushstrokes of varying greens.

  6. step 06

    Define the monument and bus with darker values and sharper edges.

  7. step 07

    Introduce highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as the red lines suggesting traffic lights or poles, and refine the overall composition.

color palette

primary · yellow ochre · raw sienna · burnt umber · sap green

secondary · cadmium red · titanium white · ultramarine blue

Mix various shades of green by combining sap green with yellow ochre and a touch of ultramarine blue. Create warm browns by blending burnt umber with yellow ochre and a hint of red. Lighten colors with titanium white.

techniques

  • ·dry brush
  • ·scumbling
  • ·color layering
  • ·atmospheric perspective
  • ·expressive linework

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.
  • →Ignoring the importance of atmospheric perspective, making the background appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·paper towels

optional

  • ·graphite pencil
  • ·kneaded eraser
  • ·easel
  • ·varnish

Using a toned canvas (e.g., with a wash of raw sienna) can help establish the warm overall tone of the painting.

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